Description of Nature in "whistling of Birds" Essay | Essay
And in spring male birds' thoughts turn to finding mates and establishing territories. You may have noticed a cacophony of birdsong in the wee hours of the morning. Scientists call this the dawn chorus. It can start as early as a. Birds can sing at any time of day, but during the dawn chorus their songs are often louder, livelier, and more frequent. It's mostly made up of male birds, attempting to attract mates and warn other males away from their territories. But why choose the hours around sunrise to sing?
There are a number of theories, and they're not necessarily mutually exclusive.
One idea is that in the early morning, light levels are too dim for birds to do much foraging. Since light levels don't affect social interactions as much, it's a great opportunity to sing, instead. Another idea is that early morning singing signals to other birds about the strength and vitality of the singer. Singing is an essential part of bird life, but it's costly in terms of time and energy. Singing loud and proud first thing in the morning tells everyone within hearing distance that you were strong and healthy enough to survive the night.
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This is attractive to potential mates, and lets your competitors know you're still around and in charge of your territory. For many years, scientists theorized that the atmospheric conditions in the early morning — typically cooler and drier than later in the day — might allow birdsong to travel further through the air.
However, recent research shows this isn't the case.
Birdsong travels just as far, if not farther, at noon as at dawn. Although dawn songs don't carry farther, they are clearer and more consistent, and this could be even more important. Individual males have their own signature songs, with slight variations that identify them to their neighbors.
If you're a male trying to attract a mate or defend your territory, it's more important to let your fellow birds know that it's you singing than it is to be heard over a long distance. This is not to say that he has been without devotees. As a novelist, it could be argued, Lawrence peaked early, with Sons and Lovers One way to rebalance the books is to extend the critical catchment area to include forms of writings that are considered ancillary or minor.
If Lawrence remains a great writer today that is due in no small part because his enduring freshness and force is found in the travel books, in poems that were scarcely even poems, and in the scatter of his essays. But many of his gifts were best displayed elsewhere. In this regard, in his inability to confine himself to the arena he most valued, he seems a distinctly contemporary writer: Lawrence as loose canon, so to speak.
Actually, the brilliance and variety often occur within a single essay. Essays on writers are also essays on places; essays on places are also pieces of autobiography and so on.
Seasons-Spring and Winter in "Whistling of Birds" by D. H. Lawrence
Sensations flicker and blaze into ideas that are presented as though they are data from some instrument calibrated to a pitch of receptivity so extreme as to be abnormal or even pathological. The gulf between the ostensible object of enquiry and the direction taken by the investigation is frequently vast, the conclusions routinely drastic.
Everything has the potential to become something else. This tendency to stray from stated intentions was best expressed by Lawrence himself on 5 September It will be about anything but Thomas Hardy I am afraid — queer stuff — but not bad. Although Lawrence undoubtedly had a philosophy which he was keen to share with the world to put it mildly , doing so involved him writing against his strengths. Such exertion! You never know, in Lawrence, when or how the next flash of genius will manifest itself.
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The carefree attitude he could bring to essay-writing had unexpected advantages. Throughout his career Lawrence threw out bottles containing messages energetically disdaining whatever it was he professed not to care about at any given moment.
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In one of the last pieces he wrote, an introduction to The Dragon of the Apocalypse by Frederick Carter — another example of a piece that outgrew its brief as Lawrence ended up writing his own Apocalypse — he set out some of the reasons why, and the ways in which, we continue to care about him. What does it matter if it repeats itself? What does it matter if in parts it is not very interesting, when in other parts it is intensely so, when it suddenly opens doors and lets out the spirit into a new world, even if it is a very old world!